High Fidelity

This is one of the coolest rom-com ever made and there are some of the coolest dialogues used in this movies so here are some of my personal favorites....

I start with the coolest ones which Rob says

Rob's Dialogues

1. I can't fire them. I hired these guys for three days a week and they just started showing up every day. That was four years ago.
   
   
2. She LIKED me. She liked ME. SHE like me... At least I think she did.
   
   
3. Charlie, you fucking bitch. Let's work it out.
   
   
4. My desert island, all-time, top-five most memorable breakups, in chronological order, are as follows: Alison Ashmore; Penny Hardwick; Jackie Alden; Charlie Nicholson; and Sarah Kendrew. Those were the ones that really hurt. Can you see your name on that list, Laura? Maybe you'd sneak into the top ten. But there's just no room for you in the top five, sorry. Those places are reserved for the kind of humiliation and heartbreak you're just not capable of delivering.
   
   
5. Now, the making of a good compilation tape is a very subtle art. Many do's and don'ts. First of all you're using someone else's poetry to express how you feel. This is a delicate thing.
   
   
6. John Dillinger was killed behind that theater in a hale of FBI gunfire. And do you know who tipped them off? His fucking girlfriend. All he wanted to do was go to the movies.
   
   
7. The making of a great compilation tape, like breaking up, is hard to do and takes ages longer than it might seem. You gotta kick off with a killer, to grab attention. Then you got to take it up a notch, but you don't wanna blow your wad, so then you got to cool it off a notch. There are a lot of rules. Anyway... I've started to make a tape... in my head... for Laura. Full of stuff she likes. Full of stuff that make her happy. For the first time I can sort of see how that is done.
   
   
8. What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
   
   
9. Sometimes I got so bored of trying to touch her breast that I would try to touch her between her legs. It was like trying to borrow a dollar, getting turned down, and asking for 50 grand instead.
   
   
10. I can see now I never really committed to Laura. I always had one foot out the door, and that prevented me from doing a lot of things, like thinking about my future and... I guess it made more sense to commit to nothing, keep my options open. And that's suicide. By tiny, tiny increments.
    
    
11. Should I bolt every time I get that feeling in my gut when I meet someone new? Well, I've been listening to my gut since I was 14 years old, and frankly speaking, I've come to the conclusion that my guts have shit for brains.

Barry's dialogues

1. Rob, I'm telling you this for your own good, that's the worst fuckin' sweater I've ever seen, that's a Cosby sweater.
2. A Cosssssssby sweater. Did Laura let you leave the house like that?
3. I never thought I'd say this, but can I go work now?

Dialogues

Rob: Liking both Marvin Gaye and Art Garfunkel is like supporting both the Israelis and the Palestinians.

Laura: No, it's really not, Rob. You know why? Because Marvin Gaye and Art Garfunkel make pop records.

Rob: Made! Made! Marvin Gaye is dead. His father shot him!

Rob: What did Laura mean last night when she said, "I haven't slept with him yet." Yet! What does "yet" mean anyway? It means you're gonna do it, doesn't it? Or does it?

[Next scene]

Rob:[To Barry]Just come on. What would it mean to you, that sentence: I haven't seen Evil Dead II yet?

Barry: Well, to me it would mean that you're a liar. You've seen it twice. Once with Laura -oops- and once with me and Dick, remember? We had that conversation about the guy making Beretta shotgun ammo off-screen in the 14th century.

Rob: Right, all right. But let's just say that I hadn't seen it and I said to you, "I haven't seen Evil Dead II yet", what would you think?

Barry: I'd think that you're a cinematic idiot and I'd feel sorry for you.

Rob: All right. But from that one sentence, would you think that I was going to see it?

Barry: I'm sorry, Rob. I'm struggling here. You're asking me what would I think if you told me you hadn't seen a film that you have already seen. What am I supposed to say?

Rob: Just listen to me. If I said to you-

Barry: "I haven't seen Evil Dead II yet", yes.

Rob: Would you get the impression that I really wanted to see it?

Barry: Oh, uh, well you couldn't have been desperate to see it, otherwise you'd have already gone.

Rob: Right, I'm not gonna see that movie.

Barry:[pause] But the word "yet". Yeah, you know what? I'd get the impression that you wanted to see it otherwise you'd have said you didn't wanna go.

Rob: But in your opinion, would I definitely go?

Barry: How the fuck am I supposed to know?! Probably!

Rob: Why?

Barry: Because it's a brilliant film. It's so funny, and violent, and the soundtrack kicks fucking ass. I never thought I'd say this, but can I go work now?